While the content of videos is obviously important, the flare and presentation can be impressive in itself. Purely aesthetically, Kristian Williams‘ creations are visual love letters to all aspects of media; film, comics, music and television. The respect for artistry, and revere for cultural impact is found with his work, and his crisp, flowing editing style consistently engages the viewer with whatever topic is explored. On a visceral level, the elegance of Williams’ essays heightens the subject matter, rendering the content greater by the images and sounds, as well as the words.
The consequences of these changes were seen in the 18th century. Poetry was still the dominant literary medium and its practitioners were poor scholars, often educated in the classics at local schools and schoolmasters by trade. Such writers produced polished work in popular metres for a local audience. This was particularly the case in Munster, in the south-west of Ireland, and notable names included Eoghan Rua Ó Súilleabháin and Aogán Ó Rathaille of Sliabh Luachra . A certain number of local patrons were still to be found, even in the early 19th century, and especially among the few surviving families of the Gaelic aristocracy. 
According to the poetry editor of The New Criterion , David Yezzi , Tate held the conventional social views of a white Southerner in 1934: an "inherited racism, a Southern legacy rooted in place and time that Tate later renounced."  Tate was born of a Scotch-Irish lumber manager whose business failures required moving several times per year, Tate said of his upbringing ""we might as well have been living, and I been born, in a tavern at a crossroads."  However, his views on race were not passively incorporated; Thomas Underwood documents Tate's pursuit of racist ideology: "Tate also drew ideas from nineteenth-century proslavery theorists such as Thomas Roderick Dew , a professor at The College of William and Mary , and William Harper , of the University of South Carolina — "We must revive these men, he said."